Film Language
One of the first things to understand when starting to study film is the academic language that goes with it. One of the key theories is semiotics.
Semiotics is the study of signs and their meanings. Films are made up of thousands of these signs and it’s up to film students to decode them to discover their meanings.
For example, if we see the colour red there are meanings associated with it such as, anger, danger and heat. These meanings are the connotations of the colour. While the colour, which is the literal thing, is the denotative.
· Denotation/The literal. E.g. A large dark space filled with old trees.
· Connotation/The hidden meaning. A creepy forest with danger lurking.
What do you think the denotations and connotations of these are?
Technical Codes
Visual Codes
Audio Codes
Written Codes
Technical
- Camera (Shots, Angles, Movements)
- Framing, Focus and Depth of Feild
- Lighting
- Editing
Camera Shots
- Ariel Shot (usually taken from a helicopter, looking down, often establishes a scene or conveys drama)
- Profile Shot (profile of the character, often deep in thought)
- Over the Shoulder Shot (looking from behind a person to the subject)
- Point of View Shot (looking from a characters point of view)
Camera Angles
Camera Movements
Deep Focus
Shallow Focus
Lighting
Low Key lighting
High key lighting
Mise-en-scene:
This is basically refering to everything 'in the scene'.
- Setting
- Props
- Costumes and Make-up
- Characters movement and expression
- Colour
Editing
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Analysing a film sequence
Boyz N the Hood
Analyse the following sequence, commenting on:
- Visual codes
- Audio codes
- Technical codes
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